The Classic Concordance of Cacographic Chaos
From [Journal of the Simplified Spelling Society, 1994/2 pp27-30 later designated J17]
The Chaos represents a virtuoso feat of composition, a mammoth catalogue of about 800 of the most notorious irregularities of traditional English orthography, skilfully versified (if with a few awkward lines) into couplets with alternating feminine and masculine rhymes. The selection of examples now appears somewhat dated, as do a few of their pronunciations, indeed a few words may even be unknown to today’s readers (how many will know what a ‘studding-sail’ is, or that its nautical pronunciation is ‘stunsail’?), and not every rhyme will immediately ‘click’ (‘grits’ for ‘groats’?); but the overwhelming bulk of the poem represents as valid an indictment of the chaos of English spelling as it ever did.
Dearest creature in creation
Studying English pronunciation,
I will teach you in my verse
Sounds like corpse, corps, horse and worse.
I will keep you, Susy, busy,
Make your head with heat grow dizzy;
Tear in eye, your dress you’ll tear;
Queer, fair seer, hear my prayer.
Pray, console your loving poet,
Make my coat look new, dear, sew it!
Just compare heart, hear and heard,
Dies and diet, lord and word.
Sword and sward, retain and Britain
(Mind the latter how it’s written).
Made has not the sound of bade,
Say - said, pay - paid, laid but plaid.
Now I surely will not plague you
With such words as vague and ague,
But be careful how you speak,
Say: gush, bush, steak, streak, break, bleak,
Previous, precious, fuchsia, via
Recipe, pipe, studding-sail, choir;
Woven, oven, how and low,
Script, receipt, shoe, poem, toe.
Say, expecting fraud and trickery:
Daughter, laughter and Terpsichore,
(It goes on for a bit, so you can click the link for the whole poem.)
Thanks Deb!
